by Stefan Herbrechter, Manuela Rossini, and Ivan Callus An earlier and longer version of this entry was first published in the European Journal of English Studies; available here. It might at first glance seem that the phrase ‘European posthumanism’ is a contradiction in terms. Is Europe not that venerable, somewhat ‘nostalgic’ entity or idea that has never […]
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In Plant Studies, especially its critical branch, the most recent empirical evidence is used to show the sophisticated ways that plants go about their lives. Challenging traditional zoocentric perceptions of plants as passive objects, such research reveals that plants are dynamic and sentient beings capable of responding to environmental stimuli such as touch, temperature, […]
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The pairing of modernism and posthumanism highlights a constitutive paradox of new modernist studies. In recent years it has become increasingly difficult not to think about “modernism” as a historical term, yet from its early days of intense critical and aesthetic self-consciousness, modernism has existed, indeed has aggressively positioned itself, and defined itself, in conflict […]
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This entry originally appeared in Rosi Braidotti and Maria Hlavajova, eds., Posthuman Glossary (London: Bloomsbury Academic, 2018). Reproduced with permission. Critical posthumanism is a theoretical approach which maps and engages with the “ongoing deconstruction of humanism”.[1] It differentiates between the figure of the ‘posthuman’ (and its present, past and projected avatars, like cyborgs, monsters, […]
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Posthuman topology refers to posthumanism in a phenomenological mode. It is the study of how the experience of technological artefacts and technic environments – the environments of their development and use – shapes the manner in which the individual thinks and occupies his or her lifeworld, beyond a simple psychological affect. Posthuman topology maintains that […]
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Posthuman suffering, as presented in Anthony Miccoli’s Posthuman Suffering and the Technological Embrace[1] is an affective state characterised by a perceived feeling of inadequacy, alienation, or lack of agency or efficacy in relation to technological artefacts or systems of use. The term can also be used to describe the general sense that the biological […]
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The medical humanities were developed as a means of using the tools offered by several fields in the humanities – law, history, and literature among others – to improve or interrogate experiences of healthcare and patienthood. Humanities training for doctors, particularly, has been valued in that it encourages medics to listen to their patients […]
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What if middleness did not suppose progress?[1] What if, for example, instead of looking to discern a ‘premodernism’ and a ‘prehumanism’ that lead naturally to modernism and humanism and thence to postmodernism and posthumanism we imagined time as a vortex rather than a line? What if we abandoned human-centric narratives of history altogether, narratives […]
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As the era preceding the articulation of what has come to be known as humanism, the European Middle Ages offer a variety of vantage points from which to trouble present certainties, complicate contemporary narratives of what the human means, and set new trajectories for the future of posthumanist thought. The medieval period does not […]
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An enduring question about the human condition concerns the riddle of embodiment, or how to comprehend the very meat of our existence. Rembrandt’s famous painting, The Anatomy Lesson of Dr. Nicolaes Tulp, captures the quandary. It is 1632 in Holland and we are witness to the dissection of a criminal hanged earlier in the day. […]
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