From Joyce to Beckett: The Fiction of the Almost ‘Posthuman’[1] When Samuel Beckett took James Joyce as his role model, Joyce had completed Ulysses and was immerged in the composition of Finnegans Wake. This ‘work in progress’ had a particular structure that followed a principle discovered at the end of Ulysses. The ending of the […]
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The digital turn in filmmaking provides the potential to communicate a posthuman perspective on the interrelationship between human and nonhuman realities. The fluid sense of interconnection that defines this expanded subject position has been defined variously by scholars of the posthuman. In her landmark 1999 work How We Became Posthuman, Katherine N. Hayles describes the […]
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