It is challenging to disengage our human-centredness and commit to being co-habitants of the world. In the face of this challenge, there are three hopeful shoots I would like to nurture in becoming a critical posthuman. Situated within three particular artmaking processes, this Genealogy entry touches on the body of artmaking experience becoming a material, […]
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‘There are countless forms of narrative in the world’, begins an influential essay by structuralist narrative theorist Roland Barthes.[1] But, for all their multiplicity, these forms—like the languages they are transmitted in—bear the unmistakable signature of human experience, including our bodily make-up, our mortality, our web of attachments and ambitions of social standing. Throughout the […]
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From Joyce to Beckett: The Fiction of the Almost ‘Posthuman’[1] When Samuel Beckett took James Joyce as his role model, Joyce had completed Ulysses and was immerged in the composition of Finnegans Wake. This ‘work in progress’ had a particular structure that followed a principle discovered at the end of Ulysses. The ending of the […]
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An enduring question about the human condition concerns the riddle of embodiment, or how to comprehend the very meat of our existence. Rembrandt’s famous painting, The Anatomy Lesson of Dr. Nicolaes Tulp, captures the quandary. It is 1632 in Holland and we are witness to the dissection of a criminal hanged earlier in the day. […]
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