It is challenging to disengage our human-centredness and commit to being co-habitants of the world. In the face of this challenge, there are three hopeful shoots I would like to nurture in becoming a critical posthuman. Situated within three particular artmaking processes, this Genealogy entry touches on the body of artmaking experience becoming a material, […]
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The capitalised definite article in the title above is in brackets because it wants to connect two things: it refers to the title of Don DeLillo’s latest novella – The Silence,[1] but also echoes some more general claims regarding literature, posthumanism and silence by using DeLillo as an “example”. In doing so, it follows up […]
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Writing Nature Between Orphism and Prometheanism in Cormac McCarthy’s Blood Meridian Judge Holden, to cite W. Oliver Baker, easily ranks amongst the ‘the most engrossing and violent characters of American literature’.[1] A central character in Cormac McCarthy’s 1985 novel Blood Meridian, Or the Evening Redness in the West, Judge Holden accompanies the Glanton gang—a group […]
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Denis Villeneuve’s Blade Runner: 2049 (2017), the sequel to Ridley Scott’s Blade Runner (1982), explores many of the same topics, including the development of advanced biotechnology and the (in)ability to distinguish between humans and bioengineered replicants. Like Scott’s Blade Runner, Villeneuve’s 2049 considers how ‘human’ and ‘nonhuman’ identity is constructed. Because replicants’ physical appearances do […]
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William Golding’s novels are famous for their bleak depiction of the human condition in which violence, dark urges, and primordial egotism prevail. The author, however, made it clear in his Nobel Lecture that he is ‘a universal pessimist but a cosmic optimist’,[1] and while his opinion of the human as such might not be a […]
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The science and philosophy writer Dorion Sagan, son of Lynn Margulis,[1] began his 2011 lecture in the Anthropological Society’s series The Human is More than Human[2] by quoting from Claire Folsome’s entry for ‘Microbes’ in the 1985 book The Biosphere Catalogue. Folsome describes a thought experiment in which an alien drops down through the ceiling and […]
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‘… they imitated humanity so abhominably.’ (III.2.34)[1] The affinity between Shakespeare’s Hamlet and some of the existential questions raised by contemporary posthumanism, despite the four centuries that lie between them, is striking. From the beginning of the play, the question of identity, and of the identity of the human more specifically, is the main […]
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For critical posthumanism, musical atmospheres are a promising field of study. ‘Immersed in sound’, as Frances Dyson argues with reference to the new media of virtual reality, the Internet, and their auditive precursor technologies, ‘the subject loses its self, and, in many ways, loses its sense’ in indeterminate situations that undermine the classical subject-object split […]
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The focus of the high-concept television show Westworld is deceptive: we’re meant to believe that the series revolves entirely around the robotic hosts, who struggle to attain sentience and break free of their cognitive loops to become what Blade Runner termed “more human than human”. But by the second season, the focus shifts back to […]
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The Romantic period develops a particular construction of the self, a self with a privileged interiority. Posthumanist criticism flattens this interiority, pushing our critical attention away from the artist’s expression of internal feelings to material relations between bodies in landscapes. Such a posthumanist approach follows several threads of posthumanism. It draws from what Object Oriented […]
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