Bio art and the end of philosophy (Feuerstein & Hegel)
In his Aesthetics, Hegel declared the end of art. Art is ‘on the side of its highest destiny, a thing of the past’.[1] For Hegel, art satisfied the same spiritual needs Continue Reading
High-Tech Orientalism (Cyberpunk & Race)
‘The human is constantly created through the jettisoning of the Asian/Asian American other as robotic, as machine-like and not quite human […]’. These words, lifted from the extract of Wendy Continue Reading
Technological and Posthuman Zones
Modern technology seems always to have been judged according to its utility for human beings. To the extent that technologies have been viewed as tools, instruments, or prostheses for human Continue Reading
Baudrillard, Jean
On the pretext of immortality, we’re moving towards slow extermination…Human beings can’t bear themselves, they can’t bear their otherness, this duality…They can’t bear failing the world by their very existence, Continue Reading
Sustainability
No being today escapes being confronted with the fallout of human-induced environmental change, from ice capes melting in the Arctic, to Californian megafires, to reefs bleaching in Australia, disappearing habitats, Continue Reading
Posthuman Times
Humanist and technoscientific notions of progress have been (mis)used to classify human and nonhuman life forms into hierarchical categories, thereby reducing the complexities of life stories into a linear account Continue Reading
Anthropocene
The term “Anthropocene” designates the geological epoch in which the human (or anthropos) is seen as the primary driver of climactic, geological, and ecological change. This notion first emerges in the Continue Reading
Feminism
“[F]eminism is not a humanism”, states Rosi Braidotti in her article “Four Theses on Posthuman Feminism”.[1] The argument might seem obscure, when considering feminism’s claims for equality between differently gendered, racialised and Continue Reading
Speciesism
The term ‘speciesism’ first appeared in 1970 on a printed pamphlet made by psychologist Richard Ryder for a protest against animal experimentation [1] and refers to discrimination on the grounds of Continue Reading
Comics (7 Miles a Second)
As a form, comics and graphic narratives are particularly well-suited for enacting posthumanism: they often employ radical juxtaposition and assemblage as method, and delineate subjectivity as a process of becoming Continue Reading
Genealogy of the Posthuman (ISSN 2632-500). This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.